Inklination
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Inklination is a new grotesque that goes against the 'genre rules' and has a low x-height. It breathes quite better than larger x-height typefaces, with the sensation of air and more whitespace. This, combined with long ascenders and descenders, makes it look luxurious, elegant and refined. The family has two sets of italics, a regular one with 10º of inclination, and a more brutalist one with 20º. A monospaced version of five weights complete this versatile family.

 

Inklination Light
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Ceramics
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Regular
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Influential
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Medium
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Originally
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination SemiBold
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Binocular
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Bold
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Practices
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Light Italic
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Beautiful
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Regular Italic
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Showcase
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Medium Italic
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Decoration
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination SemiBold Italic
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Abundant
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Bold Italic
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Signature
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Light Italic 2
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Grandiose
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Regular Italic 2
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Boutique
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Medium Italic 2
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Museums
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination SemiBold Italic 2
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Harmonic
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Bold Italic 2
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Cardigan
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Mono Light
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Nautical
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Mono Regular
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Postpone
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Mono Medium
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Coauthor
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Mono SemiBold
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Realtime
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Inklination Mono Bold
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
Imported
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Glyphs
Glyphs
Inklination Regular
  • Inklination Light
  • Inklination Regular
  • Inklination Medium
  • Inklination SemiBold
  • Inklination Bold
  • Inklination Light Italic
  • Inklination Regular Italic
  • Inklination Medium Italic
  • Inklination SemiBold Italic
  • Inklination Bold Italic
  • Inklination Light Italic 2
  • Inklination Regular Italic 2
  • Inklination Medium Italic 2
  • Inklination SemiBold Italic 2
  • Inklination Bold Italic 2
  • Inklination Mono Light
  • Inklination Mono Regular
  • Inklination Mono Medium
  • Inklination Mono SemiBold
  • Inklination Mono Bold
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