Loading Fonts
Akkordeon Slab is the next step in a series of ultra display typefaces. The Slab version shares the same skeleton and spirit as the original Akkordeon, putting the same concepts into a different shape. Akkordeon Slab provides a stronger voice that enriches the whole family, becoming especially suitable for sports, business, fashion or any situation that requires impact headlines.
- 14 Fonts
- Free trials
Akkordeon Slab
One
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
The winner takes it all
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Two
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
Batman and Robin
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Three
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
The Musketeers
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Four
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
A perfect clover
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Five
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
Fingers in a hand
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Six
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
Guitar strings
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Seven
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
The deadly sins
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Eight
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
Octopus legs
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Nine
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
Baseball team
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Ten
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
A whole decade
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Eleven
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
The Apollo
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Twelve
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
December
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Thirteen
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
Reasons why
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Akkordeon Slab
Fourteen
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
Silicon
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
In use
Glyphs
Glyphs
Akkordeon Slab
Four
- Akkordeon Slab One
- Akkordeon Slab Two
- Akkordeon Slab Three
- Akkordeon Slab Four
- Akkordeon Slab Five
- Akkordeon Slab Six
- Akkordeon Slab Seven
- Akkordeon Slab Eight
- Akkordeon Slab Nine
- Akkordeon Slab Ten
- Akkordeon Slab Eleven
- Akkordeon Slab Twelve
- Akkordeon Slab Thirteen
- Akkordeon Slab Fourteen
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
abcdefghijklmnopqrstuvwxyz
0123456789
ÀÁÂÃÄĀĂÅĄÆĆĈČĊÇĎĐÈÉÊĚËĒĔĖĘ
ĜĞĠĢĤĦÍÎÌĨÏĪİĮIJĴĶĹĽĻĿŁŃŇÑŅÒÓÔÕ
ÖŌŎŐØŒÞŔŘŖŚŜŠŞȘŤŢŦÙÚÛŨÜŪŬ
ŮŰŲẀẂŴẄÝŶŸŹŽŻ
ĜĞĠĢĤĦÍÎÌĨÏĪİĮIJĴĶĹĽĻĿŁŃŇÑŅÒÓÔÕ
ÖŌŎŐØŒÞŔŘŖŚŜŠŞȘŤŢŦÙÚÛŨÜŪŬ
ŮŰŲẀẂŴẄÝŶŸŹŽŻ
àáâãäāăåąæćĉčċçðďđèéêěëēĕėę
fffiffiflfflĝğġģĥħíîìĩïīįijıȷĵķĸĺľļŀłńňñņʼn
òóôõöōŏőøœþŕŗřśŝšşșßsťţŧùúûũü
ūŭůűųẁẃŵẅýŷÿźžż
fffiffiflfflĝğġģĥħíîìĩïīįijıȷĵķĸĺľļŀłńňñņʼn
òóôõöōŏőøœþŕŗřśŝšşșßsťţŧùúûũü
ūŭůűųẁẃŵẅýŷÿźžż
&¡!¿?(/)[|]{\}‹«»›’”‘’“”‚„,;:._-–—•·
0123456789†‡*§¶€$¢£ƒ¥@©®™
¦^+−±×÷=≠#~≈<>≤≥%‰
0123456789†‡*§¶€$¢£ƒ¥@©®™
¦^+−±×÷=≠#~≈<>≤≥%‰
*See the PDF for more details.