Classike
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Classike is a high contrast squarish display typeface. Inspired by the Art Déco period from a modern perspective. Refined and elegant yet with a mechanical vibe, it is ideal for pairing with any functional font, it works especially well with Geogrotesque, from which it inherited its proportions and soul. Classike adds an exclusive touch and helps enrich your graphic voice. A Variable Font version is included with the family or as a separate style. Read some thoughts about the design process at the Blog

 

Classike Roman Pack
6 Fonts
UltraLight, Light, Regular, Medium, SemiBold, Bold
Classike Italic Pack
6 Fonts
UltraLight Italic, Light Italic, Regular Italic, SemiBold Italic, Medium Italic, Bold Italic
Classike UltraLight
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Manhattan
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike UltraLight Italic
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Armand de Brignac
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike Light
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Bespoken
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike Light Italic
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Finest Swiss watches
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike Regular
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Lifestyles
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike Regular Italic
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
The Italian seaside
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike Medium
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Goldfinger
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike Medium Italic
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Classic Hollywood film
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike SemiBold
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Heritages
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike SemiBold Italic
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Francis Scott Fitzgerald
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike Bold
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Road bike
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike Bold Italic
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Monte Carlo’s resort
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Classike Variable
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
Variable font
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Glyphs
Glyphs
Classike Regular
  • Classike UltraLight
  • Classike UltraLight Italic
  • Classike Light
  • Classike Light Italic
  • Classike Regular
  • Classike Regular Italic
  • Classike Medium
  • Classike Medium Italic
  • Classike SemiBold
  • Classike SemiBold Italic
  • Classike Bold
  • Classike Bold Italic
  • Classike Variable
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*See the PDF for more details.

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