Relato Sans
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Relato Sans is the other face of Relato Serif, being the sans more austere and aseptic. A humanistic type, with a contemporary cut, created for general use in texts and with a great variety of weights, which allow enough flexibility for demanding projects. It maintains many of the characteristics of its homologous such as proportions, the x height, the construction based on air lines of the italic, ornaments and so on. These details show coherence with the serif version, and at the same time reinforce its personality.

Relato Serif Family
5 Fonts
Regular, Regular Italic, Small Caps, SemiBold, Bold
Relato Sans Light
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Rotherham
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans Light Italic
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
The newsletter
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans Regular
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Universal
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans Regular Italic
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Pennsylvania
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans Medium
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Environment
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans Medium Italic
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Political process
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans SemiBold
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Craft worker
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans SemiBold Italic
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Networks and movies
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans Bold
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Century
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans Bold Italic
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Many thousands
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans Black
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Forward
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Relato Sans Black Italic
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
Consumer products
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Glyphs
Glyphs
Relato Sans Regular
  • Relato Sans Light
  • Relato Sans Light Italic
  • Relato Sans Regular
  • Relato Sans Regular Italic
  • Relato Sans Medium
  • Relato Sans Medium Italic
  • Relato Sans SemiBold
  • Relato Sans SemiBold Italic
  • Relato Sans Bold
  • Relato Sans Bold Italic
  • Relato Sans Black
  • Relato Sans Black Italic
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