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Steradian
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Steradian is an exploration of the geometric genre and although it has a geometric base, the widths between letters are not much different across the weights, something common of the style. That is due to the process, in which the proportions of the heavier weights paved the way for the lighter ones. It also has a series of details that make Steradian stand out and gives it a special touch. Some of its main features are the double-story ‘a’, its closed apertures and some of the capitals have a distinct personality (such as the G and Q). Read more about the design process at the Blog. 

 

Steradian Roman Pack
8 Fonts
Thin UltraLight ExtraLight Light Regular Medium Bold Black
Steradian Italic Pack
8 Fonts
Thin Italic UltraLight Italic ExtraLight Italic Light Italic Regular Italic Medium Italic Bold Italic Black Italic
Steradian Thin
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Analytical
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Thin Italic
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Contemporary
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian UltraLight
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Le Corbusier
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian UltraLight Italic
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Industrial design
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian ExtraLight
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Marvellous
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian ExtraLight Italic
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Product conception
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Light
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Symbolism
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Light Italic
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Ferdinand Möbius
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Regular
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Cartesian
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Regular Italic
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
National parks
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Medium
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Ultrasonic
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Medium Italic
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Friedrich Gauss
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Bold
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Raumlehre
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Bold Italic
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Amsterdam sights
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Black
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Quick draw
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Steradian Black Italic
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
Mobile applications
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. — Robert Bringhurst, The Elements of Typographic Style.
Glyphs
Glyphs
Steradian Regular
  • Steradian Thin
  • Steradian Thin Italic
  • Steradian UltraLight
  • Steradian UltraLight Italic
  • Steradian ExtraLight
  • Steradian ExtraLight Italic
  • Steradian Light
  • Steradian Light Italic
  • Steradian Regular
  • Steradian Regular Italic
  • Steradian Medium
  • Steradian Medium Italic
  • Steradian Bold
  • Steradian Bold Italic
  • Steradian Black
  • Steradian Black Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789
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*See the PDF for more details.

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